{"id":1733,"date":"2020-12-18T10:09:08","date_gmt":"2020-12-18T10:09:08","guid":{"rendered":"https:\/\/fabriziogifuni.it\/?p=1733"},"modified":"2024-01-05T14:12:12","modified_gmt":"2024-01-05T14:12:12","slug":"remember-me","status":"publish","type":"post","link":"https:\/\/fabriziogifuni.it\/en\/remember-me\/","title":{"rendered":"Remember me"},"content":{"rendered":"
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Remember me. Homage to Hamlet - 2019<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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With Fabrizio Gifuni<\/p>

Sound G.U.P. Alcaro<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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London<\/b>, Italian Theatre Festival, Coronet Theatre \u2013 Notting Hill \u2013 7 June 2019<\/p>

Turin<\/b>29\u00b0 edition of the International Book Fair - Lingotto, Giovanni Agnelli Auditorium - 14 May 2016<\/p>

\"Time is a child playing, moving pieces on a chessboard: the kingdom of a child\", Heraclitus said.
Fabrizio Gifuni pays a personal tribute to the Prince of Denmark: ghosts, neuroses and melancholy contend with each other.
The tragedy lives on in Hamlet\u2019s mind.
As in no other of his plays, Shakespeare is ready to declare, with Hamlet, all his love for an idea of theater.
\u201cThe play is the thing\/ wherein I\u2019ll catch the conscience of the king\u201d.
\u201cIl Gioco \u00e8 la cosa\/ con cui prender\u00f2 la coscienza del Re\u201d, says the Prince.
Even Power unmasks itself by playing.<\/p>

For Fabrizio Gifuni, Shakespeare'sHamlet<\/i> represents an ongoing laboratory. It began with a three-year workshop conducted in the early 1990s by Orazio Costa, the great master of Italian theater (Costa told us, \u201cEach of you will carry a \u2018Hamlet base\u2019 all your life and you will continually encounter characters crossed by this current\"). It passed through his theatrical debut in Euripides' Electra, directed by Massimo Castri, in the role of Orestes \u2013 one of the paradigms of the Danish prince \u2013 and continued up to the personal Shakespearean interpolations in his award-winning shows Gadda Goes to War, or the Tragic History of Amleto Pirobutirro<\/i> and the Hamlet Concert<\/i>, featuring a symphony orchestra and music by Shostakovich, staged in recent years at the Piccolo in Milan and at Teatro San Carlo of Naples.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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