{"id":2694,"date":"2020-12-21T16:38:44","date_gmt":"2020-12-21T16:38:44","guid":{"rendered":"https:\/\/fabriziogifuni.it\/?p=2694"},"modified":"2023-12-18T18:41:46","modified_gmt":"2023-12-18T18:41:46","slug":"na-specie-de-cadavere-lunghissimo","status":"publish","type":"post","link":"https:\/\/fabriziogifuni.it\/en\/na-specie-de-cadavere-lunghissimo\/","title":{"rendered":"Na specie de cadavere lunghissimo"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\u2018Na\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\"Something Like a Very Long Cadaver\" - 2004<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

from an idea by Fabrizio Gifuni (based on texts by Pier Paolo Pasolini and Giorgio Somalvico)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

directed by Giuseppe Bertolucci<\/p>

with Fabrizio Gifuni<\/p>

lighting design: Cesare Accetta<\/p>

technical director and sound: Paolo Gamper<\/p>

produced by: Teatro delle Briciole-Solares Fondazione delle Arti<\/p>

tour organized by Natalia Di Iorio<\/p>

1^ rappresentazione: Napoli<\/span><\/strong>, Teatrino dell’Accademia di Belle Arti\u00a0 – 4 febbraio 2004<\/p>

Parma<\/span>, Teatro al Parco – febbraio 2004<\/p>

Pisa<\/span>, Carrara<\/span> – febbraio 2004<\/p>

Rome<\/span>, Teatro India – dal 6 al 17 aprile 2005
Pavia<\/span>, Teatro Fraschini – ottobre 2005
Parma<\/span>, Teatro al Parco – ottobre 2005
Rome<\/span>, Teatro Valle – dal 23 al 27 novembre 2005<\/p>

Milan<\/span>, Palazzo della Ragione (per la stagione del Teatro Franco Parenti) – dal 1 al 12 febbraio 2006<\/p>

Lecce<\/span>, Teatro Politeama Greco – 22 e 23 febbraio 2007<\/p>

Rome<\/span>, Teatro Valle – dal 17 al 21 novembre 2010<\/p>

Milan<\/span>, Teatro Franco Parenti – dall’11 al 23 gennaio 2011<\/p>

Rome<\/span>, Teatro Vascello – dal 29 al 31 gennaio 2013
Rome<\/span>, Teatro Vascello – dal 1 al 3 febbraio 2013
Firenze<\/span>, Teatro della Pergola – dal 3 all’8 dicembre 2013
Pordenone<\/span>, Teatro Comunale Giuseppe Verdi – 11 dicembre 2013
Parma<\/span>, Teatro al Parco – 13 e 14 dicembre 2013<\/p>

Chiasso<\/span> (Como), Cinema Teatro Chiasso – 11 gennaio 2014
Terni<\/span>, Teatro Secci – dal 31 gennaio al 1 febbraio 2014<\/p>

Reggio Emilia<\/span>, Teatro Cavallerizza – dall’1 al 3 dicembre 2015<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Notes about the show<\/strong><\/p>

\"For Heraclitus, the world is nothing more than an illusory tissue of opposites. Each pair of opposites is an enigma, whose dissolution is unity, the God behind it all. \"I still find in these words something that comes very close to that deep sense of mystery that includes the life, work and death of Pier Paolo Pasolini. A few years ago when I began to think about the idea of a show about Pasolini, it was in terms of opposition that my instinct was moving: father and son, nature and art, victim and perpetrator, were just some of the contradictions that continually came up along the way. But also darkness and light, violence and gentleness, Dr. Jekyll and Mr. Hyde. Of course, the political urgency was equally strong: so strong \u2013 In these dark times \u2013 that it threatened to overwhelm everything. The river is rising dangerously and may overflow its embankments. Every day that passes. There was also a desire to recount the public and private tragedy of a poet who had seen disappear in a mere three decades the only world in which he wanted to be recognized. The piercing, despairing cry of a man howling in the desert against the immorality and blindness of the old power that was opening the way to a New Power \u2013 a new fascism \u2013 \u201cthe most powerful and totalitarian that has ever been.\u201d But also the very private tragedy of a man who, by virtue of the same political and anthropological policy that he saw befalling Italy, no longer recognized the \u2018bodies\u2019 of his beloved boys, who seemed to transform \u2013 before his eyes \u2013 from \u201clikeable ruffians\u201d into \u201cspectral killers\u201d. His beloved \u201criccetti\u201d were doing an about-face: from innocence to crime. But that phrase, written by Giorgio Colli in his Birth of Philosophy in 1975, the very year of the death of the Casarsa poet but referring to the great sage of Ephesus, continued to spin its web like an invisible spider. And reading Petrolius (Petroleum) \u2013 a reckless journey through the ultimate labyrinth \u2013 took me back once again to that shadowy line: Carlo di Polis and Carlo di Tetis, protagonists in the unfinished novel, returned to shatter the \u2018id (ego?)\u2019. Like Paul of Tarsus. Like Paul of Casarsa. At the center of the maze was the foul beast. But it was nothing but the image of the hero reflected in a mirror. Moving to Una Nuova Giovent\u00f9 (A New Youth), Narcissus, after endless dances, sank into his watery mirror. \u201cI am a viola and an alder tree, the dark and the pale flesh\u2026\u201d, \u201cI am black with love, neither Saint nor Devil\u2026\u201d \u201cI am a priest and a free man, two excuses for not living\u2026\u201d. The shattering of, and obsession with, identity came back to move me. \u201cWe are, therefore, a single person (dissociation is the structure of structures: \/ the doubling of the character into two \/ is the greatest literary invention)\u201d the poet states in Bestia da Stile (A Beast with Style). God is day night, winter summer, war peace, satiety hunger,\u201d wrote Heraclitus in one of his fragments. I only had to follow the flow of the water.<\/p>

Fabrizio Gifuni<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t